![]() The musician wed his third and current wife, Nancy Shevell, in 2011. He and late first wife Linda share Mary, as well as Heather, 58, Stella, 50, and James, 44, together while he and second wife Heather Mills share Beatrice, 18, together. The photographer is one of five children that the musician shares with former wives. Mary opted for an all black ensemble and stylish combat boots. ![]() Paul McCartney and his daughter Mary at the London premiere of ‘The Beatles: Get Back’ on Novem(David Fisher/Shutterstock) ![]() The 79-year-old musician was all smiles as he posed with his photographer daughter on the red carpet, wearing a sharp navy blue suit. Former Beatle Paul McCartney attended the premiere on Tuesday, Nov. It was a family affair at the London premiere of The Beatles: Get Back, an upcoming three-part documentary series that will offer Beatles fans an intimate glimpse of the band’s most pivotal recording sessions. Search Hollywood Life Search Trending Navigation Trending You wonder how many viewers will last the distance and if any, other than the aforementioned maniacs, will take it more than once.Latest Hollywood Celebrity & Entertainment News Primary Menu Menu Close Menu It is 40 minutes of untrammelled joy, but it is an inordinately long and winding road to get there. With Lindsay-Hogg’s 2,000 torchlit Arabs a memory, it ends with the famous concert on the roof of Apple’s HQ, which Jackson makes the most of by showing it in split screen, shared with footage of the street below and police arguing with the building’s receptionist. Much opprobrium has been cast at Yoko Ono for her constant presence at Beatles’ recording sessions, but, after this, you marvel at her fortitude for sitting through them. That is doubtless what recording an album is like, but for an onlooker it is – to use the language of 1969 – a real drag. There is a point, about five hours in, when the prospect of hearing another ramshackle version of Don’t Let Me Down becomes an active threat to the viewer’s sanity. Ostensibly short of material at the outset, after a month they have grubbed up not only the entire Let It Be album, but also more than half of Abbey Road and a selection of songs that ended up on their early solo albums: Jealous Guy, Back Seat of My Car, Gimme Some Truth.īut the moments of inspiration and interest are marooned amid acres of desultory chit-chat (“aimless rambling”, as Lennon rightly puts it) and repetition. Indeed, it is hard not to boggle at the Beatles’ productivity. Lennon and McCartney’s eyes locking as they harmonise on Two of Us the producer Glyn Johns’ gentle, futile attempts to dissuade Lennon of the apparently unimpeachable genius of Allen Klein, a crook whose involvement hastened the Beatles’ demise and ended in litigation Lennon’s delighted cry of “Yoko!” as McCartney’s adopted six-year-old daughter, Heather, starts screaming into a microphone and especially McCartney, casting around for a new song, idly strumming his bass and singing nonsense words, gradually settling into a rhythm and melody that turns into Get Back. There are doubtless Beatle maniacs who think that is impossibly stingy – there is a bootleg set of recordings from the Get Back sessions that fills 89 CDs – but, for anyone else, its sheer length can feel like a schlep. The three episodes of Get Back last the best part of eight hours. ![]() Jackson is not a director noted for the brevity of his approach – his version of King Kong is twice the length of the original his Hobbit films turned a 310-page novel into eight hours of cinema – and so it proves here. Things improve when the band decamp to a studio in Apple’s headquarters – at least for the Beatles. Whether the Get Back sessions hastened the Beatles’ demise remains moot, but a preponderance of footage featuring songs sung in funny voices, mugging to camera and in-jokes can’t stop the initial sessions at Twickenham Studios from looking like misery. It shows a broader, ostensibly happier, picture of the band’s doomed 1969 project to write a new album, rehearse the songs and perform them live in the space of two weeks. Peter Jackson’s Get Back is a documentary series designed to address Starr’s concerns. None of the Beatles turned up to the documentary’s premiere Ringo Starr objected that it was “very narrow” and had “no joy”. John Lennon dismissed the music as “badly recorded shit” Paul McCartney was so horrified by the album that he masterminded a new version in 2003, shorn of the additions by Phil Spector, whom Lennon employed as a producer without telling McCartney. T he Beatles’ 1970 album Let It Be and its depressing accompanying documentary were always bugbears among the former Fabs.
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